morning.jpg

This is a photo I clicked at Kabini National Park. Moments after this I saw a tiger in the wild for the first time in my life. The year was 2020

This is a photo I clicked at Kabini National Park. Moments after this I saw a tiger in the wild for the first time in my life. The year was 2020

It is strange how some memories get fixed. Sometimes the memory hinges around a person. Sometimes an incident. Sometimes the whiff of a long forgotten fragrance can bring back memories. Memories are like old photos. Some people click millions of photos and stick them into albums and then never look at them again. I like to mull over those moments.

The other day I was reading an article about the Siberian Cranes that one can spot at the Bharatpur Bird sanctuary. I was reminded of the amazing talent I saw in Purshottam who plies a cycle rickshaw in the Bharatpur Bird Sanctuary. He is actually as knowledgeable about the birds of the sanctuary as you could imagine. His father did odd jobs for the famed Dr Salim Ali as he was writing his authoritative book Handbook of the Birds of India & Pakistan which he started in 1964.

Young Purshottam or Purshotti would run errands for his father and listen to Dr Salim Ali sketch and photograph the different birds. The schooling he received shows. When I declined to hire his cycle rickshaw, he sneaked a glance around and asked if I would be interested in a guide instead. He told me that he knew the names of the birds in German and French – and then added, I even know what some of them are called in Bengali. I wrote about him in a post here.

Bharatpur for me is much more than the national park. It was about discovering the flavor of Raga Lalit. That morning in Bharatpur, I woke up early. I stared out of the window and looked at the first rays of the sun. It was cold and I sat up in bed still wrapped up and snug in the crumpled sheet. The gardener of the hotel was busy watering the gorgeous flowers. His day must have started early. All India Radio was playing Raga Lalit by Ustad Bismillah Khan.Bismillah is a word used to invoke God’s blessings before the start of anything auspicious. The old transistor had seen better days for sure. Yet all that did not seem to matter as the gardener went about stooping over the marigolds and showering them before patting away extra water from the leaves. The fog had not yet lifted fully. The notes wafted through the fog almost clearing the way for the sun.

Here is what I heard

Raga Samay Chakra

Raga Samay Chakra

Raga Lalit is played between 4am and 6am. (see the Samay Chakra drawing from my notebook) The Raga Lalit belongs to Poorvi Thhaat. Other well known Ragas from the Poorvi Thhaat are Paraj, Poorvi, Puriya Dhanashree, Shree etc.So clearly there could be Ragas from the same thhaat but meant for different times of the day. While Paraj and Lalit are morning Ragas, we find Ragas like Poorvi and Shree which are sung at dusk, but from the same Poorvi Thhaat.

Think of the Thhaat as the Head of the household and Ragas as the different children who all are related to each other by a clear visible bond of shared ancestory.  Lalit evokes the mood of prayer and a certain sense of calm. I believe that the easiest way to befriend the notes of a Raga is to listen to it being used in film music. I find it useful to grasp the essence of the Raga by listening to a classical performance by one of the maestros and then listen to it in the form of a film song.

The difference is the same as learning Math from the Professor of Mathematics and asking a friend to help you grasp the subtle nuances of Math. My friends were always much better at explaining stuff than my teachers. I wonder why? Was it because the friend helped me learn while the teachers tried to teach.

>
A friend helps you to learn, a teacher tries to teach.

In Hindi Film Music, the composer Naushad Ali (b Dec 25, 1919) who passed away on May 5, 2006 at the age of 86  was famous for his use of classical music in Hindi films. He had composed the music for Mother India (1957) – the first Indian film to be nominated for an Oscar. He won the Dadasaheb Phalke award in 1981 for his contribution to Indian cinema. Naushad has captured the essence of Raga Lalit in this song from the film Leader in 1964 starring Dilip Kumar and Vyjayantimala. You will recognize the familiar notes of Lalit that stayed with you from the shehnai recital.

Another lovely composition in Raga Lalit is by the composer Madan Mohan from the film Chacha Zindabad sung by Manna Dey and Lata Mangeshkar –Pritam Daras Dikhao 

You can also hear Mohd Rafi and Manna Dey sing the song Tu Hai Mera Prem Devata from the film Kalpana. The music was composed by the rock ‘n roll king of Bollywood – OP Nayyar. The dancers are the Travancore sisters Padmini and Ragini.

I have heard that for the film Satyam Shivam Sundaram, Raj Kapoor had asked his fave music composers Shankar Jaikishan to give up their fascination for Raga Bhairavi and use Raga Lalit in the song Bhor Bhaye Panghat Pe from the film starring Zeenat Aman and Shashi Kapoor.

Now that you have become familiar with the notes of this beautiful Morning Raga called Lalit, you should now listen to Pandit Hariprasad Chaurasia play Raga Lalit

You could also read about how I discovered Raga Desh (clearly my all time favorite)  in this article The Charm of Raga Desh 

If you found this helpful, leave a comment or a suggestion


Comments

15 responses to “The Charm of Raga Lalit”

  1. Rana—- it was a pleasure going through your article. Infact yesterday I was about to ring you up as the site wouldnt open at my end. Got through early this morning. I love the way you blend the classical with the film music—- so that it is so much easier for laymen like us to understand the flavour of the raga. I also appreciated your samay chakra — coz this is something we learnt when we were in third year and I was always very interested in it. How beautifully our ancestors timed all the ragas so that they are perfectly suited to that period of time. I salute that. As regards the Thaat part I have my own reservations which I have inculcated from my Guru. Ragas existed much long before the existence of thaats, and while ragas are sung, thaats are not, so instead of calling thaat the father of the ragas , I prefer to say that certain ragas come within a certain loosely bound group which can be called thaat. Moreover there are several exceptions in this too and anomalies…… so I believe in the concept of raag ang more than thaat. Each raag has its own particular identity by which it is recognised and it is not always there in the thaat. But what you have said is absolutely correct according to the standard text books. There have been lots of debates and discussions on this issue—and each person holds his own view. I am very new to this field, lots to learn and very little time. I feel instead of classifying them rigidly under Thaat system, it would be better if we gave more importance to the raag ang. Do continue putting up such articles. I wish our people would pay a little more attention and devotion to our ethnic music—then we wouldnt have sorry compositions like AR Rehman’s for CWG event. Considering our country is so rich in music that was a pathetic state of affairs. Sorry if I am toooo blunt

  2. Thank you very much for this.I have always appreciated classical music but wish I knew the grammar and structure a little better. This is soooo useful.

  3. Fantastic entry Abhijit. Hope you are doing well.

  4. This is best ! 🙂

  5. Dear Abhijith,Wonderful post. Thanks for the examples from the film world.With a four month old daughter at home, I am called in for Raag Yaman when she is expected to sleep. It works, but sometimes, when it doesn’t, Raag Lalit does! I was hesitant at first, but possibly, the early morning flavour makes her happy and go off to sleep :)The lovely ma-ma combination has a lovely exploratory flavour to it.Thanks again for bringing this up in a post.Rgds,NS

  6. As far as I am aware, the ‘samay’ theory – that there is a nominated, or recommended, time to perform and listen to each raga – is more a convention that has evolved with time (perhaps, it has been suggested, with the practices of royal courts which so often provided a sanctuary for Indian classical music) than any authoritative prescription. And in actual practice, it is not always followed, the notable example being Bhairavi, which is frequently performed at the end of a concert in the evening. The concept is in any case unknown to Carnatic music, which shares the same theoretical base and basic structure with Hindustani music.There are actually two kinds of Lalit, one with komal dhaivat (Marwa thaat) and the other using shuddha dhaivat( Poorvi thaat). The former held sway in the past, whereas the latter is the more popular now.

  7. thanks,cud u plz guide me some good album on lalit raag…

  8. Akhila Avatar

    Thank you so much Mr. Bhaduri for this wonderful blog, I hope many more raags will be included soon…I just heard this song based on raag Tilak Kamod in the movie “Khuda key Liye” and was bowled over. That’s how I started checking out raags online, and foung your blog….Good work… 🙂

  9. Ek shahenshah is – pretty much Todi to me.

  10. Many thanks for such a nice description of Raag Lalit with a rather poetic preamble about Bharatpur Bird Sanctuary,Samaya Chakra of playing and listening to various Raags according to the tenets of Indian Classical Music (which unfortunately is not being adhered to now a days). The selection of songs depicting the Raag is also superb. I hope that this article will enthuse the readers to learn more about our Classical Music.

  11. Dinesh Avatar

    Great post. Loved every bit of it.Qn – Is the song badi dheere jali from Ishqiya in Lalit? http://www.youtube.com/watch?v=FwB1gXyEnJY

  12. Our musical tradtions shall continue to flourish, notwithstanding all that Jazz…. It’s base is no doubt scientific. While some ragas enhance the mood of a glorious dawn or a languorous afternoon …… Your choice of Shehnai seems most appropriate for giving your friends a feel of raaga Lalit ……

  13. Reshma Hingorani Avatar
    Reshma Hingorani

    Ishqiya song indeed sounds like lalit..

  14. WHAT AN INVALUABLE VARDHAN FROM YOU SIR.I LOVE INDIAN CLASSICAL MUSIC BOTH VOCAL AND INSTRUMENTAL. THE TIME CHART FOR LISTENING TO VARIOUS RAGS IS VERY HELPFUL BUT BEING IN SMALL PRINT AND SIZE IS DIFFICULT TO READ. COULD IT BE POSSIBLE TO PROVIDE A FULL PAGE IMAGE.THANK YOU FOR LALIT ONCE MORE.

  15. Stephen Watkins Avatar
    Stephen Watkins

    This is the approach I take playing ragas to westerners. Either a film or pics of the appropriate time of day for the raga. We could just ignore the times but there is no need although we would nit get many audiences for Lalit at 0400

Leave a Reply

Your email address will not be published. Required fields are marked *